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  • image SM 53/6/3

Reference number

SM 53/6/3

Purpose

[488] Design, Duchy Court of Lancaster, 12 February 1829

Aspect

Plan of the attic floor of the Duchy Court of Lancaster and anxiliary offices, located on the east side of Westminster Hall, showing skylights and muniment presses, unexecuted

Scale

line scale of 1/10 inch to 1 foot

Inscribed

Plan of the Attics. / (Duchy Court of Lancaster &c. / Presses

Signed and dated

  • 12/02/1829
    12th. Feb[ruar]y. 1829.

Medium and dimensions

Pencil, coloured washes of ochre, blue and pink, pen, pricked for transfer on wove paper (459 x 287)

Hand

Sir John Soane RA (1753 - 1837), architect
Possibly George Bailey (1792 - 1860), draughtsman
The Day Book entry for 12 February 1829 notes that George Bailey was About Drawings of the Duchy Court / of Lancaster, Record Offices &c.
Possibly Charles James Richardson (1806 - 1871), draughtsman
The Day Book entry for 12 February 1829 notes that Charles Richardson was About small general plans of / the New Law Courts and Duchy of / Lancaster's Office.

Watermark

1827

Notes

This drawing is annotated in Soane's hand. This plan appears to propose the use of the building's attic space as a record store, with presses positioned around the walls indicated in ochre wash. The skylights are also shown in blue. There is a calculation, apparently regarding the storage capacity of this proposal in the left-hand margin.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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