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  • image SM 53/8/65

Reference number

SM 53/8/65

Purpose

[393] First design, Westminster Hall and New Law Courts, 6 April 1824

Aspect

Exterior perspective of the New Law Courts from the north east, with a Gothic façade to the Court of King's Bench, with square corner towers, unexecuted

Scale

to a scale

Inscribed

No 5

Signed and dated

  • 06/04/1824
    6/4/[18]24 (x 2)

Medium and dimensions

Pencil, coloured washes of sepia and Payne's grey, within partial single border on wove paper (572 x 422)

Hand

Possibly Bailey, George (1792--1860), draughtsman
The Day Book entry for 6 April 1824 records that George Bailey, David Mocatta and Charles Richardson were collectively About drawings of the New Courts.
Possibly Mocatta, David Alfred (1806--1882), draughtsman
The Day Book entry for 6 April 1824 records that George Bailey, David Mocatta and Charles Richardson were collectively About drawings of the New Courts.
Possibly Charles James Richardson (1806 - 1871), draughtsman
The Day Book entry for 6 April 1824 records that George Bailey, David Mocatta and Charles Richardson were collectively About drawings of the New Courts.

Watermark

Weatherley & Lane / 1818

Notes

This is a monumental treatment of the Court of King's Bench, with a projecting ground-floor storey with entrances to New Palace Yard. Above, the Court's north façade is of five bays; the easternmost window obscured by the north-east corner tower.

Literature

Sawyer, 1999: p.605, footnote 1766

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).