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  • image SM 53/4/81

Reference number

SM 53/4/81

Purpose

[204] Finished drawing, Court of Chancery, after 27 October 1822

Aspect

Plan and laid out wall elevations of the main (ground) floor of the Court of Chancery and sections of Lord Chancellor's Robing Room, not as executed

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

Plan & Section of the Court of Chancery / x (x 2) / of Stone under / Bond / Plan / g / Scale of Feet dimensions given

Signed and dated

  • after 27/10/1822
    dated in accordance with known building campaign

Medium and dimensions

Pencil, wash, coloured washes of yellow and pink, pen, pink pen, on wove paper (559 x 687)

Hand

Soane Office, draughtsman

Notes

This drawing appears to be by the same hand as SM 53/1/8 and SM 53/4/67v. The structural design of the Court, which Soane referred to as outline finishings, was recorded in his Notebook as finally settled on 27 October 1822. The plan and east and west elevations make clear the incorporation of two buttresses of Westminster Hall (shown in wash) into the Court's latitudinal walls. The courses of battens within the brickwork are also shown. In execution, the six arched openings in the east wall were substituted for a single large arch, leading directly onto the Public Corridor. The sheet appears to have been cut down at its upper edge.

Literature

Sawyer, 1999: p 532, footnote 1569

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).