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image Image 1 for SM 53/4/71
image Image 2 for SM 53/4/71
  • image Image 1 for SM 53/4/71
  • image Image 2 for SM 53/4/71

Reference number

SM 53/4/71

Purpose

[433] Final design, Court of King's Bench, 30 September 1824

Aspect

Elevation and sections of exterior Gothic window to the screen wall of the Court of King's Bench, almost as executed

Scale

bar scale of 1 inch to 1 foot

Inscribed

Court of Kings Bench / Elevation of One of the Windows. / £ 150.0.0 dimensions given

Signed and dated

dated in accordance with SM 53/4/70

Medium and dimensions

Pencil, wash, coloured washes of pink and sepia, pen, pricked for transfer on wove paper (488 x 665)

Hand

Bailey, George (1792--1860), draughtsman
The Day Book entry for 30 September 1824 records that George Bailey was About drawings of the / Court of Kings Bench.

Verso

Elevation of an eighteen-bay façade with a rusticated basement supporting an Ionic order above; perhaps associated with the Board of Trade, Whitehall.

Watermark

J Whatman / 1824

Notes

The proposal is far more evolved than that shown in SM 53/4/71, with the geometric form of the window and its moulding profiles derived from Westminster Hall. A headstop (of a demi-figure bearing a shield) is sketched in pencil on both elevation and section. In the inscription the pencil note £150.0.0 may be an estimate for executing the window’s stonework.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).