- Robert and James Adam office drawings
The colourful design shown in Adam volume 11/100 was executed with minor alterations and remains in situ, supported by the original Spalatro order columns, although the intercolumniation of these columns was altered at the request of Lady Griffin in order to accommodate her evening skirts. This space was intended for the use of ladies, while the men were in the great drawing room next door.
The interior is conspicuously Roman in style, and this ceiling was made in imitation of a ceiling in the Baths of Augustus, Rome. It was painted by Biagio Rebecca, and is comparable to the breakfast room at Mellerstain.
There is a drawing for the executed ceiling design at the house dated 1763. According to an account in the Essex Record Office Adam charged £15.15s for this drawing. There is also a drawing showing laid out wall elevations for the room at the house.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).