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image SM Vol 49/41

Reference number

SM Vol 49/41

Purpose

[200] Preliminary survey on completion, Lord Chancellor's Robing Room, c 1824

Aspect

Plan of the main (ground) floor of the New Law Courts, showing the corridor between the Lord Chancellor's Attendants' Room and the Lord Chancellor's Room, with details plan and elevation of a skylight, as executed

Scale

to a scale

Inscribed

2 Steps to Mr. Ley's House - 10", Height of Servants Hall 14.1, Mr. Lees - 8", Lord Chancellors / Attendants Room, Lord Chancellors / Room, W[estminste]r. Hall, John Bunney / 33 Charles [Street] / West[minste]r. dimensions given

Signed and dated

dated in accordance with known survey campaign

Medium and dimensions

Pencil, on wove paper bound in volume (210 x 275)

Hand

Soane Office, draughtsman

Notes

This sheet covers the south-east corner of the New Law Courts. As finally realised, the Lord Chancellor's Attendants' Room became the Barristers' Robing Room; its intended function being transferred to the room immediately to the west of the Lord Chancellor's. The details of canopy arches and skylight may be associated with the natural lighting provisions for these rooms. In the inscription, Mr. Ley's House is the residence of John Henry Ley, Clerk of the House of Commons from October 1820 - 1850. The relevance, if any, of the address for John Bunney has not been ascertained.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).