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image SM Vol 48/42

Reference number

SM Vol 48/42

Purpose

[88] Survey, Court of Exchequer, 27 March 1823

Aspect

Elevation detail of an arched doorway, with engaged shaft and capital, and hood moulding with headstop, and perspective detail of window stonework, on the main (first) floor of the Court of Exchequer

Scale

to a rough scale

Inscribed

Court of Exchequer / (pencil) 42 dimensions given

Signed and dated

dated in accordance with SM Vol 48/43 and SM Vol 48/44

Medium and dimensions

Pencil, pen, on wove paper bound in volume (211 x 272)

Hand

Arthur Patrick Mee (1802 - 1868), draughtsman
The Day Book entry for 27 March 1823 notes that Arthur Mee was Making drawings of the Court / of Exchequer at Westminster.

Notes

The details in this drawing appear to relate to the perspective of the Court of Exchequer's main (first) floor in SM Vol 48/43. The upper detail shows the stonework at the head of one of the Elizabethan windows in the Court's north wall. The lower shows the capital, head stop, arch and hood mouldings, of one of the thirteenth-century arches in the Court's south wall. The undercutting of the capital's moulding profile is also indicated.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).