Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [75] Survey, Court of Exchequer, 24 March 1823
top left corner
top right corner
bottom left corner
bottom right corner
image SM Vol 48/39

Reference number

SM Vol 48/39

Purpose

[75] Survey, Court of Exchequer, 24 March 1823

Aspect

Interior perspective of the main (first) floor of the Court of Exchequer looking west, with furnishings

Scale

to a rough scale

Inscribed

View of the Court of Exchequer / yellow (x 3) / green / white / 2 (x 2)

Signed and dated

24th. March / 1823

Medium and dimensions

Pencil, wash, coloured washes including raw umber, burnt sienna, green and blue, on wove paper bound into volume (271 x 212)

Hand

Mee, Arthur Patrick (1802--1868), draughtsman
The Day Book entry for 24 March 1823 notes that arthur Mee was Making Sketches of the old / Courts at Westminster.
The sheet has a curatorial annotation attributing this perspective to Arthur Mee.

Notes

A corresponding perspective view, taken from the north gallery of the Court, is shown in SM Vol 48/33. The perspective appears to be taken from the back of the tiered seating on the Court's eastern side, shown as a section in SM Vol 48/35. Both this and SM Vol 48/39 share recognisable features with the depiction in Joseph Ackerman's Microcosm of London, vol 1, plate between pp. 206 - 207.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).