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image SM Vol 48/26

Reference number

SM Vol 48/26

Purpose

[90] Survey, Court of Exchequer, 27 March 1823

Aspect

Elevation and section details of the main (first) floor and gallery of the Court of Excheque

Scale

to a rough scale

Inscribed

Court of Exchequer (x 2) / a at large / A / Line of Exch[eque]r. / Pannels Eq[ua]l. / Six pannels / Ground line / Elevation of x. dimensions given

Signed and dated

27th. March 1823

Medium and dimensions

Pencil, pink wash, pen, on wove paper bound in volume (272 x 211)

Hand

Attributed to Arthur Patrick Mee (1802 - 1868), draughtsman
The Day Book entry for 27 March 1823 notes that Arthur Mee was Making drawings of the Court / of Exchequer at Westminster.

Notes

This drawing covers two adjacent leaves and is numbered as if two sheet ( SM Vol 48/25 and SM Vol 48/26). For ease and consistency of reference it is catalogued here as two sheets. The details include a moulding profile of the original thirteenth-century building on this site, a base and plinth elevation of contemporaneous date and an elevation of the corbel table supporting the external parapet of the south wall.

Literature

Colvin, 1966, p.40, Fig. 80.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).