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image SM Vol 48/24

Reference number

SM Vol 48/24

Purpose

[96] Survey, Court of Exchequer, 29 March 1823

Aspect

Section through an adjacent space to the main (first) floor of the Court of Exchequer, with detail elavation of carved ornament and section through archivolt mouldings

Scale

to a rough scale

Inscribed

Angle / ground line / Window / these form the Circular mouldings / round all the principal Arches in the / Court of Chancery. / Closed up / x Section of Mouldings / A See parts at large / 1 2 3 4 5 (x 2) / Running Ornament under the Court of Exchequer dimensions given

Signed and dated

29th. March 1823

Medium and dimensions

Pencil, pink wash, pen, on wove paper bound in volume (211 x 272)

Hand

Arthur Patrick Mee (1802 - 1868), draughtsman
The Day Book entry for 29 March 1823 notes that Arthur Mee was Making Sketches of the old / Courts at Westminster.

Notes

In the inscription, the principall Arches of the Court of Exchequer appear to be those of the original thirteenth-century building, of which parts were incorporated into the Elizabethan reconstruction. The drawing therefore appears to be mislabelled Chancery for Exchequer. Two of these arches remained visible on the Court's south wall, as shown in SM Vol 48/27. They are distinct from the arches of the Tudor period, since the latter were true or pseudo four-centred and lacked mouldings. The moulding profile corresponds with that taken in John Buckler's 1822 survey (illustrated in Colvin, 1966, p.39, Fig. 70). A detailed elevation and section of A is given in SM Vol 48/22. The location of the carved frieze of guilloche between rosettes in circles is not identified. It would appear to be found on the structural framed members, since no details of wainscot or other furnishings are given for the ground floor.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).