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image SM 65/1/10

Reference number

SM 65/1/10

Purpose

[44] Working drawing for interior of octagonal dairy

Aspect

Plan and laid out wall elevations

Scale

to a scale

Inscribed

labelled floor to Covered Way, Dairy floor and some dimensions give. Letter from Walter Payne, Soane's clerk of works reads: Sir / I have sent the Plan and Sections of the / dairy shall be glad to have the finishings / as soon as Convenient B is the floor / of Water Cistern - the Roof will be / ready for the Slater on Monday / next the Bricklayer will have one /side Building up in the Course of next/ week. The Work is most finish and / for the Eating room but Mrr Peters / wish to delay the (?) finishing as General / Morrison is here the Carpenters / are preparing Work for the / Lodge ' Waltr Payne Septr 4 99 // Shall be glad of a Remittance / for 25 Pounds in the / Course of this Week

Signed and dated

Septr 4-99

Medium and dimensions

Pen, red and yellow washes on laid (secretary) paper with four fold marks (for posting) (320 x 387)

Hand

Walter Payne
Walter Payne was Soane's long-standing clerk of works. He was first employed as clerk of works at the Bank of England from 1789 and remained there until Soane's resignation in 1833. He was the clerk of works for Soane's Pitzhanger house and he and his wife were left an annuity in Soane's will.
D.Stroud, Sir John Soane Architect, 1984, pp.64, 73n, 76; G. Darley, John Soane, an Accidental Romantic, 1999, p.92
See also [47] for a letter by Payne.

Notes

General [George] Morrison was the father of Charlotte Peters, that is, Henry Peter's father-in-law.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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