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Finished drawings and a record drawing for the walls of the great dining room (now the saloon and picture gallery), 1759 (3)

Notes

We can see from the plan of the house (drawing 1) that the great dining room (converted into the saloon in 1797) is located on the ground floor at the centre of the south front. The executed ceiling in this room is centred on an irregular octagonal panel with a boarder of sea-horses, and ornamented with nautical motifs similar to the Admiralty Screen at Whitehall. There is no extant drawing for the executed ceiling design but its general outlines are shown in pencil, annotated by Adam, onto the relevant room of Leadbetter's survey plan (drawing 1).

It is not known if the arabesque and grotesque decorations, shown on these wall elevations were executed. Bolton and Stillman believed that work in the great dining room was most likely halted by Boscawen's death in 1761. There are, however, extant pencil lines beneath the wall silk which according to Stillman is evidence of preparation for the execution of Adam's designs. According to Harris the stucco decorations, appropriate for a dining room, were executed and then removed by Bonomi in 1797 when the room was transformed into a drawing room and hung with silk.

The combination of stucco work panels and ruinscapes - based on Adam's sketches from Italy - is an interesting one, and one reused by Adam at Bowood and Osterley. Their use alongside a modilioned cornice and door cornices on brackets is, according to Stillman, an early synthesis of Adam's old style from the Edinburgh office and all he had learnt in Italy.

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Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).  


Contents of Finished drawings and a record drawing for the walls of the great dining room (now the saloon and picture gallery), 1759 (3)