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  • image SM Adam volume 2/110

Reference number

SM Adam volume 2/110

Purpose

[4] Preliminary design for a house, 1772, unexecuted

Aspect

Elevation of a three-storey, seven-bay balustraded house, with a hipped roof, and the central three bays rusticated and slightly projecting on the ground storey, and containing a central entrance, and surmounted by a portico of fluted Ionic columns, supporting a pediment, and the windows on the first storey are balustraded, there are Ionic pilasters articulating the edges of the house, and the roof line is crowned by five figurative sculptures

Scale

bar scale of 1 1/4 inches to 10 feet

Signed and dated

  • 1772
    datable to 1772

Medium and dimensions

Pencil on laid paper (429 x 311)

Hand

Robert Adam

Watermark

GR surmounted by fleur de lis within crowned cartouche

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).