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image Adam volume 54/7/256

Reference number

Adam volume 54/7/256

Purpose

[3] Finished drawings showing a screen at the west end of the Royal Terrace, c1768-69, unexecuted

Aspect

Profile of a three-bay screen wall, with a central fountain in the ground storey, with a strigilated containing wall, supported by a stylobate of three steps, a mask-shaped spring flanked by festoons, and set within a relieving arch ornamented with a fan. On the first storey is a central balustraded balcony, flanked by lotus capital columns, and showing a view to a lotus capital colonnade behind; this area is attended by staffage to give scale. The outer bays of the first storey contain figurative sculpture on pedestals, and are flanked by lotus capital pilasters. There is a frieze of festoons across the entire façade, surmounted by an attic in the end bays, ornamented with busts within oval niches, flanked by bands of scrolled hearts

Scale

bar scale of 1/5 inch to 1 foot

Signed and dated

datable to c1768-69

Medium and dimensions

Pen, pencil and wash on laid paper (233 x 339)

Hand

Adam office hand, possibly Robert Adam, William Hamilton or Joseph Bonomi

Literature

King, 2001, Volume II, pp. 69, 77
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).