[1] Design for lodge, house with dairy and accommodation for cows

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Public buildings
  - London: Constitution Hill: design for a lodge and house with dairy and with accommodation for cows, for H.M. Woods and Forests, 1795

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Reference number

SM 62/8/6

Purpose

[1] Design for lodge, house with dairy and accommodation for cows

Aspect

Plans of design for a Lodge on Constitution Hill and for a house with dairy and alternative plan for house with accommodation for ? cows

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

as above, rooms labelled Kitchen, Parlor, Dairy, Washhouse, Wood &c, Wood and some dimensions given, the smallest plan is labelled Lodge and its dimensions are small, that is, 1':9", 6':10", 6':6", 14':1", 4':4" and (the thick wall) 2':10"

Signed and dated

30/10/1795
Lincolns Inn Fields October 30 1795

Medium and dimensions

Pen and sepia wash on coarse laid paper (332 x 560)

Hand

Soane office

Notes

The drawing shows a (single cell) lodge to the left measuring 14 feet 1 inch wide, an entrance measuring 11 feet 3 inches wide and a wall about 110 feet in length against which is a house with kitchen, parlour, dairy and an upstairs together with a detached washouse and with wood yards. 'Piccadilly' is marked near the entrance through the wall to which the lodge and house with yards is attached.
Another plan, possibly an alternative design, has a compact house with (set at an angle) a wall enclosing stalls or pens for ? cows. The 'dairy' of the first house suggests that cows might have been kept nearby.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
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