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  • image SM Adam volume 42/91

Reference number

SM Adam volume 42/91

Purpose

[4] Finished drawing for a scheme for the house, c1765-74, unexecuted

Aspect

Elevation of the principal (south) front of a house with a two-and-a-half-storey, five-bay central block, with a hipped roof, a half sunk basement, and external stairs leading to the front door on the first storey, and the front door takes the form of a Venetian window within a relieving arch, and the central three bays of the central block are projecting and surmounted by a pediment. The central block is flanked by single-storey, three-bay arcaded links, and one-and-a-half-storey, three-bay pedimented pavilions, with a central Venetian window on the ground storey

Scale

bar scale of 7/8 inch to 10 feet

Inscribed

South Front of Fennells Place in Surry belonging to Anthony Chamier Esqr

Signed and dated

  • 1765-1774
    date range: 1765-74

Medium and dimensions

Pen and wash within a single ruled border on laid paper (513 x 348)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Verso

1 / 4 / Anthony Chamier Esqr / London May 9th 1765 / Elevation referred to by Article of this Date / Ant Chamier / Robt Adam

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 125
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).