[9] Preliminary design for pier glass and overmantel mirror frames for the drawing room, 1776

Explore Collections

You are here: CollectionsOnline / [9] Preliminary design for pier glass and overmantel mirror frames for the drawing room, 1776

Browse

Robert and James Adam office drawings
- Country houses
  - The Elms, Epsom, Surrey: designs for alterations to the house, and for the interior, and unexecuted designs for estate buildings, for Anthony Chamier, 1774-76 (15)
    - Designs for the house
      - Preliminary designs for pier glass and overmantel mirror frames for the drawing room, 1776 (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 20/153

Purpose

[9] Preliminary design for pier glass and overmantel mirror frames for the drawing room, 1776

Aspect

Elevation of a rectangular pier glass frame, ornamented with waterleaf, and surmounted by an urn, and with a pencil-drawn annotation showing a large-scale detail and section of the frame

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Glass for the Piers between Windows in Drawing room for / Anthony Chamier Esqr at Epsom / bottom of frieze (in pencil) / at large (in pencil) / Top of Slab (in pencil)

Signed and dated

May 1776
Adelphi / May 20t 1776

Medium and dimensions

Pen and pencil on laid paper (266 x 389)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 13
Harris, 1963, Index p. 49
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).