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  • image SM Adam volume 51/27

Reference number

SM Adam volume 51/27

Purpose

[8] Design for a bridge, 1775, unexecuted

Aspect

Perspective of a bridge set within a landscape, composed of a single, rusticated semicircular arch, ornamented with voussoirs, surmounted by an attic with a central tablet surmounted by a pencil-drawn sculpted wolf or dog, and flanked by banks of earth, surmounted by wooden fencing

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Elevation of a Bridge For The Right Honble Lord Frederick Campbell at Coombank in Kent

Signed and dated

  • August 1775
    Adelphi Augst 15t 1775

Medium and dimensions

Pen and pencil within a single ruled border on laid paper (375 x 404)

Hand

Unknown eighteenth-century draughtsman

Literature

Bolton, 1922, Volume II, Index p. 7
King, 2001, Volume II, p. 216
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).