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image SM Adam volume 19/126

Reference number

SM Adam volume 19/126

Purpose

[5] Finished drawing for a garden pavilion, 1762, unexecuted

Aspect

Part plan and section, showing a rectangular apsidal lobby, and a circular room with windows, a door, and rectangular recesses. The section shows a chimneypiece with console stiles ornamented with coin moulding, a fluted lining, a frieze of arabesques and anthemia, and surmounted by urns, and with an oval overmantel mirror frame surmounted by a wreath and festoons. To either side are a window and recess, each surmounted by a rectangular panel containing an urn flanked by winged griffons, and with a frieze of festoons and rosettes, and a domed ceiling ornamented with festoons, enclosed rosettes, urns, anthemia, and a fan containing figures

Scale

bar scale of 7/10 inch to 1 foot

Inscribed

Design for finishing a Circular Room For The Right Honble The Lord Melcombe In his Lordships Garden at Hammersmith (In his Lordships Garden at Hammersmith in the hand of William Adam) / Plan of one part of the Room and some measurements given

Signed and dated

Robt Adam Architect 1762

Medium and dimensions

Pen, wash and pink wash on laid paper (432 x 601)

Hand

Adam office hand, possibly Agostino Brunias

Literature

Bolton, 1922, Volume II, Index p. 39
King, 2001, Volume II, p. 215
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).