[1] Finished drawing for a lobby or portico within a garden pavilion, 1762, possibly executed

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Robert and James Adam office drawings
- Country houses
  - La Trappe (later Brandenburg House), Hammersmith, Middlesex: designs for a garden pavilion, possibly executed, and a dressing room chimneypiece for George Bubb Dodington, Lord Melcombe, 1762 (9)
    - Finished drawings for a garden pavilion, 1762, possibly executed (5)

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Reference number

SM Adam volume 19/122

Purpose

[1] Finished drawing for a lobby or portico within a garden pavilion, 1762, possibly executed

Aspect

Part plan and axial section, showing a rectangular lobby or portico with an apse on the right-hand side, and with a tripartite door on one wall, set within a relieving arch, and surmounted by a bust, and the wall is ornamented with Doric pilasters, and a frieze of festoons and rosettes

Scale

bar scale of 7/10 inch to 1 foot

Inscribed

Section through the Portico Showing the Method of finishing / the Arch & Door into the Room and some measurements given

Signed and dated

1762
Robt Adam Architect 1762

Medium and dimensions

Pen, wash and pink wash on laid paper (313 x 457)

Hand

Adam office hand, possibly Agostino Brunias

Literature

Bolton, 1922, Volume II, Index p. 39
King, 2001, Volume II, p. 215
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).