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  • image Image 1 for SM 33/3/20
  • image Image 2 for SM 33/3/20
  • image Image 1 for SM 33/3/20
  • image Image 2 for SM 33/3/20

Reference number

SM 33/3/20

Purpose

[64] Working drawing for doorways

Aspect

Elevations of two doors (doors crossed out) in two doorways and (verso) details of jamb lining

Scale

to a scale and (verso) full size

Inscribed

The Marq: of Buckingham, Stowe, Gothic Library Stowe, Below of Canopy, Door Stile, Pannel, A, A, Splayed / Jaumb, folding Door into Room, Door end of Lobby, (pencil) this door taken from the door / in Henry the 7th Chapel there / the Pannels are open Work - Shields, NB The outline of doorway sent to MrMander by Mr Rothwell (verso) No 6, half opening of small Door in the clear of the Jaumb Lining / Opening of the large Door into Room, Centre of the Doorway, Jaumb Lining A A / full size, Stucco

Signed and dated

  • 18/07/1805
    Lincolns Inn Fields July 18 1805

Medium and dimensions

Pen, pencil , sepia and red wash, on wove paper with old repair (partly erased - top left hand corner) (527 x 633) (verso) pen and yellow wash

Hand

The Soane office Day Book has 'About drawings for / the Work Men of the Room / at Stowe Seward', that is, Henry Hake Seward (1778-1848, pupil and assistant January 1795 - 4 September 1808)

Verso

see above

Notes

It seems that a drawing for folding doors was re-used for the details of the jamb, that is, the vertical side of the doorway.

Level

drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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