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image SM 40/4/19

Reference number

SM 40/4/19

Purpose

[5] Design for the new building

Aspect

Ground floor plan

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

Messrs Peters & Co, Design for the New Buildings in Fountain Court, labelled: Strong / Closet, Door, Counting House, Warehouse (4 times), (pencil) Irish / Co[unting] Ho[use], (pencil) Shippg / Co[unting] Ho[use], (pencil) Entce, Porters Room, Court (3 times), 2nd Office, 1st Office and (pencil) some illegible inscriptions

Medium and dimensions

Pen, pencil, sepia, light red and blue washes, pricked for transfer with triple ruled sepia and black wash border on wove paper with two fold marks (508 x 693)

Hand

Soane Office

Watermark

1794 / J Whatman

Notes

This drawing shows a development of the previous design [4] which retains the curved facade (although it is here reduced to nine bays) but substantially alters the internal arrangement. The area given to the '1st' and '2nd' offices is greater than in the previous design. The most striking alteration, however, is the arrangement of the warehouses in a horseshoe-shaped plan which is an attempt to make full use of the irregular site while creating an element of regularity. Although this design has the appearance of a drawing that has been made for presentation to the client, Soane was clearly unsatisfied with the plan, making several alterations in pencil, mainly to the entrance hall, the staircase and the rooms either side of the main entrance.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).