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image Image 1 for SM 33/3/B58
image Image 2 for SM 33/3/B58
  • image Image 1 for SM 33/3/B58
  • image Image 2 for SM 33/3/B58

Reference number

SM 33/3/B58

Purpose

[47] Design for chimneypiece with canopy

Aspect

Plan and elevation and (verso) plan

Scale

scale of 2 inches to 1 foot and (verso) full size

Inscribed

as above, Chimney Piece &c for Gothic Library - Stowe, The Marq: of Buckingham, Canopies over Chimney, Glass, equal, Picture of Mr Astle, height measure and some dimensions given and (verso) Plan of the Chimney Piece & part opposite / full size, Line of Shelf with some calculations

Signed and dated

July 1805 amd (verso) Nov: 11 1805

Medium and dimensions

Pen, pencil, yellow and sepia washes, on laid paper (640 x 537) (verso) pen, pencil and light red wash

Hand

Soane office hand and (verso) the Soane office Day Book for 11 November 1805 has Malton and Seward working on Stowe. That is Charles Malton (1788-?) (pupil February 1802 - December 1809) and Henry Hake Seward (1778-1848) (pupil and assistant May 1794 - September 1808)

Verso

'Plan of the Chimney Piece & part opposite / full size' (hearth)

Notes

The plan of the hearth was added about four months after the plan and elevation on the recto. The hearth is quite small compared with, say, one of Soane's own (first floor front room of No.14 Lincolns Innn Fields). Drawing [54] shows the executed fireplace.

The inscription 'Picture of Mr Astle' refers to Thomas Astle, whose collection of Saxon manuscripts was left to George Grenville, Marquis of Buckingham for the nominal sum of five hundred pounds in 1803. This acquisition then made necessary the construction of the Gothic Library.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).