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Finished drawing for a console table for the tapestry room, 1775, executed with minor alterations (1)


The tapestry room console table was executed in painted wood with a scagliola slab, in accordance with Adam's drawing, albeit with a slab ornamented with a simplified colour scheme, and the winged sphinxes omitted. It survives in situ.

The decorative motifs ornamenting this table echo those elsewhere in the room. On the slab the anthemion border is repeated in the borders of the ceiling and carpet, and the fan motif appears again in the corners of the ceiling and carpet; the table frame frieze makes use of the same enclosed rosettes as the mirror frame, and the painted medallions mimic those on the chimneypiece.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).