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Unfinished preliminary design for a carpet for the drawing room, c1767-79, as executed (1)

Notes

The drawing room carpet was executed in accordance with Adam's design by Thomas Moore of Moorfields, and it survives in situ.

The carpet echoes the ceiling of the room, but instead of using the octagonal motifs from the Temple of the Sun at Palmyra, it makes use of circles and lozenges. According to Harris, this design was inspired by other motifs from Palmyra, and is similar to Adam's ceilings for the great room at Bowood (SM Adam volume 11/79), and the study at Harewood (SM Adam volume 11/138).

There is a complete Adam office copy of this design within the National Trust drawings collection at Osterley.

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Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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