[38] Design for a gate and lodges, 1776, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Nostell Priory, Wakefield, West Yorkshire: designs for interior decoration, alterations to the house, and buildings in the park for Sir Rowland Winn, 5th Baronet, 1765-85 (39)
    - Buildings in the park
      - Preliminary design and design for a gate and lodges, 1776, unexecuted (2)

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Reference number

SM Adam volume 51/72

Purpose

[38] Design for a gate and lodges, 1776, unexecuted

Aspect

Plan and elevation of a gateway, with a single rusticated carriage arch surmounted by an attic ornamented with fret, fluting, and a tablet containing festoons and an eagle within a tablet, and surmounted by a strigilated socle; and the arch is flanked by single-storey, single-bay, pedimented lodges, each with three acroteria, one window, and a chimneypiece; and flanked by a wooden fence

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

Design of a Gate and Lodge from the Doncaster Road to Nostel. One of the Seats of Sir Rowland Winn Baronet / Situated near the Dairy Farm / Plan of the Gateway and Lodge / Lodge / Bed Room and measurements given

Signed and dated

15/04/1776
April 15th 1776 (in pencil in a modern curatorial hand) / Adelphi April 15t 1776

Medium and dimensions

Pen and pencil on laid paper (500 x 594)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 24
King, 2001, Volume II, p. 223
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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