- Published Work: Soane/Baroque/Adam/other architects
There are numerous extant Adam office drawings for the stables and riding house at Nostell. Three drawings of 1772-79, within the private drawings collection of Lord St Oswald, give the designs for the new riding house. For the west range of the stables there are three undated drawings in the collection of Lord St Oswald, and a further four undated drawings belonging to the National Trust. Eight drawings from the National Trust collection and a ninth from the collection of Lord St Oswald give the 1772 designs for the garden room and stabling. Three drawings in the collection of Lord St Oswald give the 1773 designs for balustrades in the stables. And two drawings of 1776 from the collection of Lord St Oswald give the design for the cupola, corresponding with this drawing at the Soane Museum: showing a plan and elevation in one drawing, and a plan and section in the other.
The National Trust acquired the park and stables in 2003, and use the stables for functions and visitor services.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).