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image SM Adam volume 12/77

Reference number

SM Adam volume 12/77

Purpose

[1] Record drawing for a ceiling for the front parlour, 1771, unexecuted

Aspect

Plan of a rectangular, compartmental ceiling divided by bands of double guilloche. With a central rectangular compartment, containing a lozenge-shaped medallion, enclosed within a fan of stiff leaf, a circular fluted frame, a series of double calyx, and a shaped dodecahedron of beading. This is encircled by rosettes within segmental fans, all set within a circular frame, and flanked by arabesques enclosing tazza, winged griffons, and portrait medallions. The central compartment is flanked by rectangular compartments, containing oval medallions, enclosed within oval frames attended by vines. Above and below are five compartments along each long edge of the ceiling, comprising three rectangular compartments alternating with square compartments, with the central compartments containing a medallion, flanked by rosettes and calyx, and segmental rosettes enclosed within fans, and the square compartments to either side contain lozenge-shaped portrait medallions, with a fan on each side. The rectangular compartments beyond in each corner contain oval medallions, flanked by segmental rosettes enclosed within fans

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the front Parlor at Sir George Colebrooke's in Arlington Street / Ornamentation (in pencil) / Cornice (in pencil)

Signed and dated

1771.

Medium and dimensions

Pen, pencil and coloured washes including verdigris, pink, and Indian yellow on laid paper (555 x 420)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

D&CBLAUW

Literature

Bolton, 1922, Volume II, Index p. 34
King, 2001, Volume II, p. 180
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).