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Reference number

SM 72/1/2 recto & verso

Purpose

[4] Design for a lodge as [3] with section

Aspect

Ground floor plan and (verso ) Section of the Lodge from A B

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

The Duke of Leeds, A B, a,a,a,a, dimensions given, and The Windows a,a, &c are to be left in / building the Walls and to be blanked up / afterwards when the Roof is finished (verso) The Duke of Leeds, see Ground Plan, CC, DD, The Plan of the Shaft above Roof, Level of Ground, Level of Ground / when dressed up / Present level / of Ground, dimensions given and The floor to be 18 inches above the present / level of the Ground, which is to be dressed / up to the Building so that one Step will / be sufficient to ascend and CC Square Cirb round the Chimney / Shaft against which the Rafters / are to Pitch // D D The Tie Beams half across / each other

Signed and dated

(recto and verso) (Copy) Lincolns Inn Fields August 31/1795 and added much later (pencil) Rich Coll over an illegible orange stamp

Medium and dimensions

Pen, (faded) red and yellow washes on water-stained laid paper (581 x 342) (verso) pen, (faded) red, yellow and sepia washes

Hand

Soane office hand (Soane office Day Book missing for this date)

Notes

The plan is presumably a copy of the one made two days before and sent by post to the Duke of Leeds, that is, (drawing [3]. The added section shows, for example, levels, carpentry details and the centrally placed stove.

The provenance of this drawing is as follows: one of five Soane drawings given by Mr Paul F.Walter in May 2009. All are ex collection of Sir Albert Richardson.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).