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image SM Adam volume 12/30

Reference number

SM Adam volume 12/30

Purpose

[4] Finished drawing for a ceiling for the back room on the first storey, 1770, unexecuted

Aspect

Plan of a rectangular compartmental ceiling, divided by bands of guilloche, with a central square compartment, containing a central rosette, enclosed within a fan, a fluted frame, and a band of arabesques, and set at the centre of a pattern of large connected roundels, the adjacent roundels containing segmental fans set against the edges of the compartment, and with oval medallions within lozenges in the links, and between the roundels are medallions enclosed within scrolled hearts composed of acanthus leaves, and calyx, and the central square is flanked by tripartite rectangular compartments, with a central vesica-shaped medallion enclosed within an octagonal frame, flanked by rectangular compartments containing arabesques and anthemia encircling rosettes enclosed within lozenges

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Design of a Cieling for the Back Room one pair of Stairs. at The Right Honble The Earl of Barrymore's House / in Portman Square / 5t House (in pencil)

Signed and dated

Robt Adam Architect 1770

Medium and dimensions

Pen, pencil, wash and coloured washes including terre verte, violet and Indian red within a single ruled border on laid paper (622 x 464)

Hand

Adam office hand, possibly William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 48
King, 2001, Volume II, p. 180
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).