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  • image SM Adam volume 9/195

Reference number

SM Adam volume 9/195

Purpose

[1] Preliminary design for a screen wall and gateway, c.1761, unexecuted

Aspect

Rough elevation of a detail of a screen wall and gateway, with a central carriage arch containing doors, and flanked by Ionic columns supporting a broken-base pediment. The carriage arch is flanked by single-storey, single-bay link walls, that on the left-hand side is visible, and contains a door with a tablet above, and is crowned by balustrading. Beyond the link is a two-storey, single-bay, balustraded pavilion or lodge, with a sculpture-filled niche on the ground floor, an oculus window surmounted by festoons on the first floor and balustrading at roof level with urns

Scale

not to scale

Inscribed

Ionick of Le Roy

Signed and dated

  • c.1761
    datable to c.1761

Medium and dimensions

Pencil on laid paper (160 x 132)

Hand

Robert Adam

Notes

Rowan has attributed this drawing to Piccadilly House for Lord Holland, however, King suggests that it is for the Earl of Kinnoul. There are more similarities between this preliminary design and the finished drawing for the Earl of Kinnoul than there are with the design for Piccadilly House. Therefore, this drawing has been catalogued within this scheme. Rowan also pointed out that the motifs and inscription for SM Adam volume 9/195 'suggests that Adam at one stage intended to take the order from J.D. Le Roy’s Plus Beaux Monuments de la Grece, although the finished drawing makes use of the Spalatro order instead.

Literature

Bolton, 1922, Volume II, Index p. 45
Rowan, 1988, p. 60
King, Volume 2, 2001, p. 222
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).