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image SM Adam volume 3/91

Reference number

SM Adam volume 3/91

Purpose

[7] Design for an alternative pier glass for the bedroom, 1787, not known to have been executed

Aspect

Elevation of two mirror frames. The mirror frame on the left-hand side is as Adam volume 3/36, but to scale. The right-hand mirror frame is rectangular, and ornamented with laurel leaf tips, with a rosette in each corner, and a rosette enclosed within a wreath on the base rail, and the frame has a central tablet at the top, surmounted by a flaming urn

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Glass frames for Bed Chamber (in pencil)

Signed and dated

Decr. 15t. 1787.

Medium and dimensions

Pen and pencil on laid paper (477 x 296)

Hand

Adam office hand, possibly Robert Morison

Watermark

PORTAL & BRIDGES

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).