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image SM Adam volume 17/56

Reference number

SM Adam volume 17/56

Purpose

[25] Finished drawing for a console table for the music room, 1780-81

Aspect

Plan of a segmental table top and elevation of a table frame. The top has a small central fan and a narrow foliate border of enclosed rosettes and cable knots. The elevation has four fluted legs, and a frieze of laurel leaves

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

For the Duke of Cumberlands Music room

Signed and dated

date range: December 1780-1781

Medium and dimensions

Pen, pencil, wash and coloured washes including olive green and violet on laid paper (422 x 335)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).