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  • image SM Adam volume 30/143

Reference number

SM Adam volume 30/143

Purpose

[19] Design for a gateway for the west gate on Kimbolton High Street, 1764, executed with minor alterations

Aspect

Plan and elevation of an enfilade of four rooms either side of a central carriage arch. This is a single-storey, balustraded building, with a three-bay central block articulated by engaged Doric columns and pilasters, with a Doric frieze, and windows ornamented with quoins. The central block is flanked on either side by a three-bay link articulated by Doric pilasters, and each bay contains a rectangular window within a relieving arch, and one-bay rusticated pavilions, articulated by Doric pilasters, containing a rectangular window surmounted by a Diocletian window within a relieving arch, with a Doric frieze, and surmounted by an octagonal lantern

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

Gateway for Kimbolton Castle / for his Grace the Duke of Manchester his Grace the Duke of Manchester (in pencil) / Execited with a few variations (in pencil in a modern curatorial hand) / Dairy / Scullery to Dairy / Porters Bed Room / Porters Lodge / Dining Hall for Tenants / Stewards Writing Room and dimensions given

Signed and dated

  • 1764
    datable to 1764

Medium and dimensions

Pen and wash on laid paper (490 x 651)

Hand

Adam office hand, possibly George Richardson

Literature

Bolton, 1922, Volume II, Index p. 20
Beard, 1978, pp. 45-46
King, 2001, Volume I, p. 341
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).