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Finished drawings for alternative designs for the octagonal dining room, c1760-61, unexecuted (2)


The pink wash in these drawings denotes the proposed new masonry. The Venetian windows in Adam volume 31/113 relate to those in one of the alternative elevations for the extension (Adam volume 31/111), and the windows of Adam volume 31/114 relate to the other elevation (Adam volume 31/110). Moreover, the plan (Adam volume 31/112) shows single-light windows so it also corresponds with Adam volume 31/114.

The original central bay Adam 31/111 has been cut away, and this new central bay affixed, implying that the design for the chimneypiece changed during the production of this drawing.

As Adam's extension to the east front was not executed this octagonal dining room was not realised.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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