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image SM 35/3/44

Reference number

SM 35/3/44

Purpose

[44] Design for the entrance hall

Aspect

Plan of the Hall etc with laid out elevations and details including a sketch of part of a screen (by Soane?)

Scale

3/8 inch to 1 foot

Inscribed

John Thomson Esqre / Roehampton, (?) Door to Open in Passage / or Hall, St[ained] Glass, bead, Cy P (chimney piece?) and dimensions given

Medium and dimensions

Pen, burnt umber and yellow ochre washes, pricked for transfer on laid paper (572 x 681)

Hand

Attributed to Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808.

Notes

A comparison with a survey drawing of the existing ground floor (drawing [22]) shows a smaller rectangular room that Soane re-modelled, initially in a large rectangular form with two screens (drawings [9, 10, 11, 12, 23, 27]). This then became a large oval shaped room (see drawing [35]).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).