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image SM Adam volume 5/33

Reference number

SM Adam volume 5/33

Purpose

[1] Preliminary design for a ceiling for the great dining room, as executed, 1780

Aspect

Rough plan of a rectangular, tripartite ceiling, with a central square compartment, and two bordering rectangular compartments, divided by bands of scrolled hearts, and screens of two columns. The square has a central rosette, encircled by two alternative designs, one for a fan, and the other being an enclosed anthemion, and with borders of enclosed rosettes. The rectangles to either side contain medallions enclosed by wreaths

Scale

not to scale

Inscribed

Cieling of the Great Room at Cumberland House / orange / Light Grey / Light Orange / Pink ground / Etruscan ground / Light Orange / Grey Ground Bands / Etruscan Honeysuckle & [feint word] yellow / Light Orange / Etruscan Ground / Light Orange / Light Grey Ornaments / Etruscan [2 feint words] / Dark grounds and other feint pencil annotations

Signed and dated

datable to 1780

Medium and dimensions

Pencil on laid paper (292 x 585)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
Stillman, 1966, p. 106
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).