Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [17] Design for the cornice for the circular banqueting room, c1770; it is not known if this design was executed

Browse

top left corner
top right corner
bottom left corner
bottom right corner
image SM Adam volume 39/13

Reference number

SM Adam volume 39/13

Purpose

[17] Design for the cornice for the circular banqueting room, c1770; it is not known if this design was executed

Aspect

Elevation of a cornice, showing two alternative designs. On the left-hand side there are hexagonal compartments enclosing anthemia and urns or figurative medallions; alternating with square compartments containing busts enclosed within lozenge-shaped frames, and these square compartments are flanked by rosette enclosed within fans of trefoils. On the right-hand side there are connected hexagonal compartments containing calyx enclosed within trefoils and oval figurative medallions, or urns enclosed within hexagons, and between the hexagonal compartments are anthemia and calyx. The whole is surmounted by a band of enclosed oak leaves, a band of acanthus leaves, and a band of lion masks

Scale

to a scale

Inscribed

Cieling of Alnwick Castle for the Duke of Northumberland (in the hand of William Adam and underwritten in pencil)

Signed and dated

datable to c1770

Medium and dimensions

Pen, pencil and coloured washes including pink, verdigris and Indian red on laid paper (653 x 497)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 1
Harris, 2001, pp. 87, 343
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).