[128] Record drawing for the great staircase, 1761, executed with a upper balcony and the cove removed

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for the interior decoration and furniture including the hall, saloon, drawing room, dining room, music room, library, ante room, breakfasting parlour, staircase, state bed room, and principal dressing rooms
      - Record drawings for the great staircase, 1761, executed with a upper balcony and the cove removed (2)

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Reference number

SM Adam volume 40/25

Purpose

[128] Record drawing for the great staircase, 1761, executed with a upper balcony and the cove removed

Aspect

Section of a three-storey stairwell containing a door on the ground floor surmounted by a fanlight window, and ornamented with figurative and grisaille panels, and a large picture frame, and with a barrel-vaulted ceiling ornamented with octagonal coffering and with a skylight. The staircase is shown in profile on the ground floor

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Sections of a Stair Case at Kiddleston for Lord Scarsdale and some measurements given

Signed and dated

1761
datable to 1761

Medium and dimensions

Pen and wash on laid paper (311 x 512)

Hand

Adam office hand, possibly Agostino Brunias, with title inscription in the hand of William Adam

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 18
Harris, 1987, p. 50
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).