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Design for the music room, 1762, unexecuted (1)


The upper portion of this drawing, in which the entablature is drawn, has been cropped and replaced with the current version.

There are wall elevations for the music room in the Kedleston drawings collection, though according to Harris these are incorrectly dated to 1760 as they show the picture arrangement of 1763.

The large organ case shown in this drawing was designed by Adam for an instrument provided by Snetzler (Adam volumes 54/3/22, 54/3/36, 25/1-25/3). This organ was deemed too large for the music room, and a smaller instrument was provided in its place.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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Contents of Design for the music room, 1762, unexecuted (1)