[86] Record drawing for the urn and cistern of a seventeenth-century wine fountain, c1760-62

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for the interior decoration and furniture including the hall, saloon, drawing room, dining room, music room, library, ante room, breakfasting parlour, staircase, state bed room, and principal dressing rooms
      - Record drawings for the urn and cistern of a seventeenth-century wine fountain, c1760-62 (3)

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Reference number

SM Adam volume 54/3/1

Purpose

[86] Record drawing for the urn and cistern of a seventeenth-century wine fountain, c1760-62

Aspect

Rough elevation of a wine cooler ornamented with lion mask handles, acanthus leaves and drops of of calyx, and on a socle ornamented with gadrooning, and an urn ornamented with acanthus leaves, a lion mask, acrolled arms, and the lid surmounted by a putti riding a dolphin

Scale

not to scale

Inscribed

some measurements given

Signed and dated

1760-1762
date range: 1760-62

Medium and dimensions

Pencil on laid paper (204 x 144)

Hand

Robert Adam

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).