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  • image SM 34/2/2

Reference number

SM 34/2/2


[53] Survey of north and west elevations


Elevation of the North Front and The Elevation of West Front of Port Eliot


bar scale of 1/8 inch to 1 foot


as above and The Lord Eliot, old and many parts very bad and Steward Rooms and some dimensions given

Signed and dated

  • 09/10/1804
    Octr: 9th 1804

Medium and dimensions

Pen and sepia wash, pricked for transfer on laid paper (545 x 684)
Pen and sepia wash, shaded, pricked for transfer on laid paper (548 x 684)


Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808.


The north front is shown as three storeys high and having the main entrance at basement level leading into the 'sub hall'. The west front (with a glimpse of part of the church, here 'restored') was, in Soane's initial designs, to be demolished and rebuilt. However, this was not agreeable to Lord Eliot.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).