[7] Rough preliminary design of a carpet for the great drawing room, 1769

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Robert and James Adam office drawings
- Country houses
  - Saltram Park, Devon: designs for the house and estate, for John Parker, 1768-82 (31)
    - Rough preliminary design and record drawing of a carpet for the great drawing room, 1769, drawing 8 as executed (2)

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Reference number

SM Adam volume 8/99

Purpose

[7] Rough preliminary design of a carpet for the great drawing room, 1769

Aspect

Plan of a tripartite rectangular carpet divided on one side by bands of diamonds, on two others by bands containing a tazza flanked by winged creatures. In the central rectangle, a lozenge contains a large oval rosette with four anthemia, all surrounded by festoons, with fans in the corners. In a side panel, a figure flanked by arabesques

Scale

not to scale

Inscribed

Carpet for Mr Parkers Drawing Room / Carpet / Mr Fermors Eating Room and some measurements given

Signed and dated

1769
datable to 1769

Medium and dimensions

Pencil on laid paper (560 x 415)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 27
Beard, 1978, pp. 13, 47
For full literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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