[16] Part-plan of second floor with variant alterations

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Town houses
  - London: No. 49 (formerly 44) Grosvenor Square: alterations for Robert Knight, 1801-2 and 1818-19 (47)
    - Survey drawings and plans for alterations, 1801-2 (19)

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Reference number

SM 40/3/1

Purpose

[16] Part-plan of second floor with variant alterations

Aspect

Part of the Chamber Floor with Alterations

Scale

bar scale of 3/10 inch to 1 foot

Inscribed

as above, Robert Knight Esq^re, labelled Dressing Room, Lobby, Door, Bed Chamber (twice), Library & Drawing room [flues], Butlers Pantry flue, House Keeper [flue]

Signed and dated

02/04/1802
April 2^d1802, Copy of Layover to Plan / sent April 3^d

Medium and dimensions

Pen, sepia and red washes, pricked for transfer on thin wove paper (567 x 344)

Hand

The office Day Book has an entry for Saturday April 3rd 1802: Rob^t Knight Esq^r/ Sent a Plan of / the alterations of the Chamber / Floor with a lay over / on 1 Sheet of Royal Paper / likewise returned to M^rr Knight / the Plan of the Basement & / Chamber Floor with alterations in Seward's hand, that is, Henry Hake Seward (1778-1848), pupil and assistant, May 1794 - September 1808

Notes

Close in design to drawing [15] though to a larger scale and, for example, showing the flues.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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