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  • image SM 14/3/4

Reference number

SM 14/3/4

Purpose

[5] Presentation drawing showing an alternative design, 1791

Aspect

Perspective of design No 4, showing a ground floor arcade forming the basement for a Corinthian colonnade that extends the length and sides of the buliding between the three-bay corners, with a recessed attic stage rising from behind

Inscribed

as above, (upper case) Design for the Opera House proposed to be built on the site of Leicester House and Garden

Signed and dated

  • John Soane Arch 1791

Medium and dimensions

Pencil, pen and coloured washes within triple-ruled black and grey wash border on wove paper (1144 x 718)

Hand

Soane office

Notes

The building is on a regular rectangular plan with shouldered corners. It is a different form from SM 14/3/1, SM 14/3/2 and SM 14/3/3, having a colonnade surmounting the rusticated arcade.

This drawing, SM 14/3/2 and SM 14/3/3 were later used for Soane's Royal Academy Lecture series, in lectures 2 and 3. SM 14/3/2 is on a thicker piece of wove paper, usually the type of sheet used for Soane's lecture drawings. That drawing may have been produced especially for Soane's lectures in the 19th century, but the others appear to be originally produced in 1791 and altered (borders and titles made) for presentation at the lecture.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).