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image SM 14/5/2

Reference number

SM 14/5/2

Purpose

[5] Variant design with a chapel

Aspect

Perspective of A Design for the Improvement of the East Side of Lincolns Inn Fields and for Planting the Area within the Iron Railing with The Plan

Scale

(plan) 1/32 inch to 1 foot (?)

Inscribed

as above

Medium and dimensions

Pen, warm sepia, raw umber, sepia, green, blue and red washs, shaded with triple ruled and sepia wash border on wove paper (590 x 920)

Hand

Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808. Entries for the scheme appear in the Soane office Day Book from 21 May to 26 May 1800. Seward is given as the draughtsman except on 22 May when it was Joseph Gandy and Seward. The client is described as :'The Trustees of the Lincolns Inn Fields' of which Soane was one.

Notes

The perspective takes in the dome of St Paul's cathedral and the spire of the church of St Vedast (both by Wren) as well as the south side of Lincolns Inn Fields. There are eleven bays either side of the chapel instead of the 15 bays of drawing [4] and, with the proposed planting added, the result is less agressive than in the previous drawing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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