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image SM 40/3/5

Reference number

SM 40/3/5

Purpose

[11] Plan of first floor with alternative alterations

Aspect

Plan of the Drawing Room Floor / with proposed Alterations labelled No 3

Scale

to a scale of 1/8 inch to 1 foot

Inscribed

as above, Robert Knight Esqre, labelled Drawing Room, Anti Room, Back Stair case, Back Stairs, Closet, Drawing Room 27.6 by 25.3

Signed and dated

LincolnsInn Fields Feby 26 1802
Lincolns Inn Fields Feby 26 1802

Medium and dimensions

Pen, sepia and light red washes with muti-ruled and sepia wash border, pricked for transfer on laid paper (560 x 442)

Hand

The office Day Book entry for 26 February 1802 has an entry - 'Robert Knght Esqre/ About drawings of / the proposed Alterations / in Charles Street / Seward', that is, Henry Hake Seward (1778-1848) pupil and assistant May 1794 - September 1808

Watermark

J Larking fleur de lis above cartouche with bar and below, GR

Notes

The drawing room facing Grosvenor Square is to the same design as in drawings [8-10]. The drawing room overlooking the garden now has a projecting semicircular bay window on the right-hand side and the room extends into the lobby.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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