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image SM Adam volume 11/170

Reference number

SM Adam volume 11/170


[98] Finished drawing for the ceiling for the gallery as executed, 1769


Plan of a rectangular, compartmental ceiling, with five octagons containing cameos enclosed within fans and rinceaux, set within x-shaped arrangements containing rinceaux, and drops of calyx, and the x-shaped compartments alternate with vesica-shaped medallions, enclosed by an elliptical frame of enclosed rosettes, and with a border of rectangular figurative panels, with an apron of festoons and bows, and surmounted by urns flanked by winged griffons, alternating with crosses, containing guilloche enclosing rosettes, as executed


bar scale of 1/2 inch to 1 foot


Cieling of the Gallery at Harewood House (in the hand of William Adam)

Signed and dated


Medium and dimensions

Pen and coloured washes including terre verte on laid paper (1186 x 438)


Adam office hand, possibly Joseph Bonomi, title inscriptions in the hand of William Adam


Bolton, 1922, Volume II, Index p. 16
Stillman, 1966, p. 103
Mauchline, 1992, p. 77
Harris, 2001, p. 146
Harris, 2007, p. 87
For a full list of literature references see scheme notes.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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