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  • image SM volume 81/23

Reference number

SM volume 81/23

Purpose

[100] Progress drawing, August 1812

Aspect

Interior perspective of Mausoleum under construction with pupil drawing

Signed and dated

  • datable to August 1812

Medium and dimensions

Pencil and coloured washes, watercolour technique, shaded on laid paper (235 x 165)

Hand

Soane office

Watermark

not visible

Notes

Pupils worked in pairs on site and thus the appearance of one of Soane's pupils drawn by another as seen in this drawing. This view appears to have been taken from the burial chamber of the Mausoleum through to the antechamber and thence to the Gallery behind. The dome of the Mausoleum antechamber is now plastered. William Rothwell had plastered the dome in July and the ornamental plasterwork was to be executed by J and J Bayley, who were paid a total of £390.8.5 for their work.

Literature

C. Davies, 'Masters of building: the first independent purpose-built picture gallery: Dulwich Picture Gallery', Architect's Journal, April 1984, pp. 55 & 65
F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 106 & 19
M. Richardson & M. Stevens (ed.), John Soane architect: master of space and light, Royal Academy of Arts, 1999, pp. 182-183
F. Sands, Fanciful Figures: people in architectural drawings, 2024, p. 45

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).