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  • image SM volume 81/11

Reference number

SM volume 81/11

Purpose

[94] Progress drawing, July 1812

Aspect

Interior perspective of enfilade

Signed and dated

  • C Tu, July 7th 1812

Medium and dimensions

Pencil and coloured washes, watercolour technique, shaded, within a single-ruled black wash border on laid paper (232 x 167)

Hand

Charles Tyrrell (1795-1832, pupil 1811-1816)

Watermark

not visible

Notes

This drawing and SM volume 81/15 reveal the development of the five-bay vaulted enfilade, which runs uninterupted from north to south. By the end of July the roof carpentry for the top-lit galleries was complete, as can be seen in SM volume 81/15. The timber structure of the vaulted ceilings were constructed by Richard Martyr and Son who were employed as carpenters; they were paid a total of £2343.7.2 for their work. The information about the tradesmen is from the building accounts, SM Bill Book G, folios 413-442.

Literature

F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 99 & 192

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).